The view that music is haram (forbidden) and dangerous in Islam is deeply rooted in specific interpretations of scripture and a concern for the spiritual health of the believer. From a scriptural standpoint, scholars who prohibit music point to verse 31:6 of the Quran, which warns against purchasing “idle talk” to mislead people from the path of Allah. Prominent companions of the Prophet Muhammad, such as Ibn Mas’ud, explicitly interpreted this “idle talk” to mean singing, swearing by Allah that this was the verse’s intended meaning. This is supported by a famous narration in Sahih al-Bukhari where the Prophet Muhammad stated that there would come a time when people would attempt to make lawful things that are forbidden, specifically listing musical instruments (ma’azif) alongside severe sins like adultery, silk (for men), and alcohol. By grouping instruments with these major prohibitions, scholars argue the text establishes a clear legal boundary against their use.

Beyond the legal texts, the “danger” of music is often explained through its psychological and spiritual effects on the human heart. The primary concern is that music acts as a competitor to the Quran; the famous scholar Ibn al-Qayyim noted that the love of music and the love of the Quran cannot coexist in the heart of a believer because one inevitably drives the other out. Music is viewed as a “spiritual intoxicant” that creates artificial emotional highs and lows, distracting the soul from the remembrance of God (Dhikr) and making the heart callous toward religious guidance. When a person becomes accustomed to the instant gratification of melody and rhythm, the recitation of the Quran-which requires patience and reflection-may begin to feel heavy or uninteresting to them.

Furthermore, music is often criticized for its ability to cultivate hypocrisy (Nifaq) and act as a gateway to other immoralities. Early scholars famously said that singing makes hypocrisy grow in the heart like water makes grass grow, because it frequently stirs up worldly desires, romantic obsession, or sadness that contradicts the Islamic ideal of contentment and attachment to the Afterlife. Practically speaking, music is also historically and culturally associated with environments of sin, such as nightclubs or parties where alcohol is consumed and illicit gender mixing occurs. Because lyrics often promote themes of lust, rebellion, or disbelief, the prohibition serves as a protective measure (blocking the means, or Sadd al-Dhara’i) to guard the believer’s modesty and keep them away from influences that could corrupt their character.

Would you like me to explain the difference between “Music” and “Nasheed” (Islamic vocal songs) in this context?